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				First published: January 1, 2024 - Last updated: January 1, 2024
			TITLE INFORMATION 
			
			Author: Laura Roldán-Sevillano
			
 Title: Breaking Silences around Postcolonial Sexual Violence
 
 Subtitle: The Urgent Activist Role of Contemporary Haitian American Women's Fiction
 
 Journal: Babel - Afial: Aspectos de Filoloxía Inglesa e Alemá
 
 Volume: -
 
 Issue: 32
 
 Year: 2023 (Received: April, 4, 2023, Accepted: May  7, 2023)
 
 Pages: 27-51
 
 ISSN: 1132-7332 - 
					Find a Library: WorldCat | 
				eISSN: 2660-4906 - 
					Find a Library: WorldCat
 
 Language: English
 
 Keywords: 
				Modern History: 
					20th Century, 
					21st Century | 
				American History: 
					Haitian History, 
					U.S History | 
				Types: 
					Rape / 
						Gang Rape; 
				Representations: 
					Literary Texts / 
						Edwidge Danticat, 
						Roxane Gay,
						Jaira Placide
 
 FULL TEXT
 
			
			Links:
			- Academia.edu (Free Access)
 
 - Revistas Uvigo: a website of the Publications Service of the University of Vigo (Restricted Access)
 
 ADDITIONAL INFORMATION
 
			
			Author:
				Academia.edu, 
				ORCID, 
				ResearchGate
			
 Abstract: 
				» This article offers an analysis of three fictional narratives within a literary trend whereby, since the 1990s and early twenty-first century, some contemporary Haitian American female authors have been writing about the consequences of rape culture within the Haitian/Haitian American community. Particularly, the intention of these writers is to denounce and break the silences imposed on a form of gender-based violence overwhelmingly present in a tradition where women's bodies have always been regarded as territories of (post)colonial conquest. Through a comparative close reading of Edwidge Danticat's Breath, Eyes, Memory (1994), Jaira Placide's Fresh Girl (2002) and Roxane Gay's An Untamed State (2014), the article aims to examine these novels' dissolving of traditional taboos around rape by means of an explicit portrayal of the sexual violence suffered by their female protagonists at the hands of other Haitian (American) characters and the traumatic consequences resulting from such vicious acts. The article concludes by demonstrating that, in contrast to the Haitian novel that influenced these narratives in their extremely realistic representation of the rape scene and its aftermath-Marie Vieux-Chauvet's Amour, colère, folie (1968)-Danticat's, Placide's and Gay's heroines are depicted as survivors capable of recuperating their bodies and subjectivity by sharing their traumatic stories with others, including the implied reader.« 
				(Source: BABEL-AFIAL)
 
 Contents:
 
			
			
			|  | Abstract (p. 27) |  
			|  | Resumen (p. 28) |  
			|  | 1. Introduction (p. 29) |  
			|  | 2. From Colonial to Postcolonial Sexual Violence in Haiti (p. 32) |  
			|  | 3. A Legacy of Haitian Female Literary Activism  (p. 34) |  
			|  | 4. Rape Denunciation in Haitian American Women's Fiction at the Turn of the Twenty-First Century (p. 37) |  
			|  | 5. Conclusion (p. 46) |  
			|  | Notes (p. 47) |  
			|  | Works Cited (p. 49) |  
			|  | Acknowledgements (p. 51) |  Wikipedia: 
				History of the Americas: 
					History of Haiti | 
				Literature: 
					Haitian literature / 
						Edwidge Danticat | 
				Literature: 
					American literature / 
						Roxane Gay | 
				Literature: 
					Novels about rape / 
						Breath, Eyes, Memory, 
						An Untamed State | 
				Sex and the law: 
					Rape / 
						Gang rape
 |